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צעדיו של בן ×”×יכר ×ž×•×‘×—× ×™× ×ž×Ÿ הקולות ×”××—×¨×™× ××•×ª× ×œ×ž×“×” הילדה לזהות.TheThe footsteps on the farmer's son distinct from other Seems that the girl figured out to determine. In order to prevent mentioning ×ת הזוועה שחווה הילדה ×”×™× × ×ž× ×¢×ª מלת×ר והספירה ×”×¡×™× ×§×“×•×›×™×ª מחליפה ×ת תי×ור ×”×ירוע.the horror expert during the pit, the grandmother uses synecdoche which replaces the tricky core description with the function. ×’× ×›×שר ×”×™× ×ž×¡×¤×¨×ª על קרי×ות ×”××™×›×¨×™× "סטפן, מה ×תה מחפש למטה?
לגלישה ב×תר בגירסה המות×מת לסלול×ר חפש ב ×¤×•×¨×•× ×–×” כל תפוז
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הבעיות היותר חמורות הן  שהשכר הממוצע (×•×”×—×¦×™×•× ×™) × ×ž×•×š, ש×ין ב×מת הרבה מקצועות ש×פשר להרוויח ×‘×”× ×™×¤×”, ושיש ×בטלה גיל×ית חמורה וחריפה יחסית למערב.
The reader would be the 1 who confronts the horrific abuse and its reifications. The aged girl will never neglect her earlier as a sufferer, nevertheless Even though she attempts to conceal the details from her youthful granddaughter she without a doubt succeeds in passing the truth to the subsequent generation, training her granddaughter the way to listen to feminine testimony without the need of currently being forced in the rigid perception of Guys's code.
× ×™×›×¨ ×©×”×ž×“×™× ×•×ª המועדפות הן ×“×•×•×§× ×’×¨×ž× ×™×”, ×”×•×œ× ×“ ×•×§×œ×™×¤×•×¨× ×™×”.
On this futuristic Element of the novel, The parable is already dangerously reversed and falsified. Stephen the abuser gets the Female's sufferer whilst the Woman is witnessed as a blood thirsty monster. Lima says: "the reversal of roles shocks me".
×פשר להגיד הרבה ×“×‘×¨×™× ×¢×œ ×ª×•×›× ×™×ª המדען הר×שי, ×˜×•×‘×™× ×•×¨×¢×™×, ×בל היו כמה סטרט××¤×™× ×©×™×¦×ו ×ž×ž× ×”, העסיקו ×× ×©×™×, צמחו לחברות ×‘×™× ×•× ×™×•×ª ×›×לה ו×חרות, הקיצוץ בתקציב המדען Â ×”×•× ×סון
conditions phrases to explain the steps of your farmer's son, like "rape", "sexual abuse", "Bodily click here violence", "threats" - are certainly not getting pronounced in her testimony to her granddaughter for she desires a complete new emotional vocabulary. "המילה המפורשת" המוכרת ××™× ×” מצטיירת ככזו המסוגלת לת×ר טר×ומה ×ישית ×ותה × ×•×©×ת ×”×¡×‘×ª× ×©× ×™× ×¨×‘×•×ª מבלי לספר על ×ודותיה.The "Specific Term" will usually are unsuccessful to describe her personalized trauma, following a long time of preserving silent, and burying the activities in her have pit. The grandmother's instinctהרצון להגן על ×”× ×›×“×” פוגש בחוסר היכולת לייצג ×ת הסיפור ×‘×›×œ×™× ×ž×•×›×¨×™×, ומכ×ן ×¤× ×™×™×ª×” של ×”× ×›×“×” ×ל מורתה ×‘×ª×•× ×”×¢×“×•×ª ו×מירתה "×ין לי סיפור" (עמ' sixty five).of of protecting her granddaughter corresponds along with her inability to specific her story by means of any common tools, for this reason the granddaughter's statement to her Instructor "She has no Tale". ×”× ×›×“×” ××™× ×” מקבלת ×ת דבריה הבלתי ×ž×•×‘× ×™× ×©×œ סבתה כעדות ומכ×ן בטוחה שהפרויקט ×ותו תגיש ×™×–×›×” לציון × ×›×©×œ.The granddaughter isn't going to accept the non-structured fragmented language and for that reason she is certain her full college challenge is really a failure.
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Nava Semel, an internationally acclaimed creator from Israel, reached in her novel the highest amount of artwork. She offers the readers an unbelievable fascinating story, which grips us to our roots, even prolonged immediately after we finish studying it.
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שפגשתי" ××– שוב ×תה טועה. ×›×™ רוב מי ש×× ×™ פגשתי ×œ× ×—×•×©×‘ ×›×›×” והסטטיסטיקה של ×©× ×™× ×• שגויה ×–×” תלוי במי שסביבךץ